Title: Abstract Yellow Flower Digital Art Work On Paper By Tatiana Plakhova
Shipping: $29.00
Artist: N/A
Period: Contemporary
History: N/A
Origin: N/A
Condition: Museum Quality
Item Date: 05.09.2011
Item ID: 5094
NATURE AND MATHEMATICS IN SYMMETRICAL HARMONY - Digital Art Work On Paper By Artist Tatiana Plakhova The main idea is to show a new way of “infographic†drawings. Because everything we see is biological, mathematical or geological information. It can also be cultural patterns or any other thing. Complexity Graphics works are based on mathematical simplicity and harmony. I would describe them as infographic abstracts. This mathematical style helps me to illustrate everything from biological cell to the space and meditative worlds. That’s why I admire by math, because it’s everywhere and nowhere. "You can either call it Complexism or Networkism ... where imaginary landscapes of interconnected entities are the prevailing theme." VISUALCOMPLEXITY Tatiana graduated from Moscow State University with a Master in Social Psychology, and then studied in High Academic School of Graphic Design in the class of Tagir Safaev. Working as an art director, graphic designer and illustrator. Tatiana Plakhova complexity art graphics: Digital Art, Illustration, Russian Designer, Museum quality 100% cotton fine art paper. Matte finish. Has a border of 2 inches. Abstract art. Work On Paper, Mixed Media.Tatiana Plakhova visualizes complex artworks but without using generated or programmed art. She creates everything by hand and develops experience in complexity graphics day by day. It may surprise you to hear that we've been especially impressed lately with data visualizations that tell you little or nothing about the actual data in them. But sometimes these creations are so bewitching that they transcend the label "infographics" and become something else - not quite fine art, but some sort of cyborg collaboration between one human soul. Russian designer Tatiana Plakhova creates visualizations that fit this mold, turning quanta of information into diaphanous, delicate visuals that look like something the aliens from The Abyss would create if they had access to Google's APIs. Plakhova didn't give much detail on her process or inspirations when we asked, but maybe that's a good thing -- staring into the sparkling, whirling depths of a piece like "Light Beyond Sound" might actually lose some of its appeal if I knew too much about what mundane database had spawned the raw material. I'd rather just marvel at the fact that in this day and age, artists can conjure up otherworldly wonders on the level of Close Encounters of the Third Kind without even picking up a brush, pencil, or camera. is a Moscow-based art director, designer and illustrator whose imagination and forward thinking ideals create a new world. Satellite Voices talks to her about the beauty of chaos and cosmic space. SV: How would you describe your style in three words? Tatiana Plakhova: Cognition, harmony, mathematics. SV: What inspires you? Tatiana Plakhova: Music, internal mood, people, nature, science, meditations. SV: How do you choose the music for your works? Tatiana Plakhova: I either look for a music composition that reflects my mood, or hear this mood in the music and try to draw and convey it. SV: Why does the cosmic space attract you? Tatiana Plakhova: Time and space are much bigger there, so I can feel the infinity breath. This space looks like our internal worlds in our dreams and meditations. Both space and nature are important for the art's feeling of peace. SV: Why do you see beauty in chaos? Tatiana Plakhova: Chaos has its own structure, and each stucture contains chaos. I am attracted by both characteristics. They are both inseparable and the basic laws of the world we live in. We can't enjoy the beauty of waves, stars and leaves without the chaotic, unpredictable, disodered part of live.
Link: http://en.wikipedia.org/wiki/Digital_Art
Artworks are considered digital painting when created in similar fashion to non-digital paintings but using software on a computer platform and digitally outputting the resulting image as painted on canvas.
Digital art is a general term for a range of artistic works and practices that use digital technology as an essential part of the creative and/or presentation process. Since the 1970s, various names have been used to describe the process including computer art and multimedia art, and digital art is itself placed under the larger umbrella term new media art.[
The impact of digital technology has transformed activities such as painting, drawing, sculpture and music/sound art, while new forms, such as net art, digital installation art, and virtual reality, have become recognized artistic practices.[3] More generally the term digital artist is used to describe an artist who makes use of digital technologies in the production of art. In an expanded sense, "digital art" is a term applied to contemporary art that uses the methods of mass production or digital media.
The techniques of digital art are used extensively by the mainstream media in advertisements, and by film-makers to produce special effects. Desktop publishing has had a huge impact on the publishing world, although that is more related to graphic design. Both digital and traditional artists use many sources of electronic information and programs to create their work.
Digital art can be purely computer-generated (such as fractals and algorithmic art) or taken from other sources, such as a scanned photograph or an image drawn using vector graphics software.
Mixed media, in visual art, refers to an artwork in the making of which more than one medium has been employed. There is an important distinction between "mixed-media" artworks and "multimedia art".