Busacca Gallery

ORBIS is a project by Leandro Sanchez done in the deepest of nature, a combination of light, timing and artistry to create visual that are other worldly. Hours in the dark, climbing, trailing until he finds the right spot, orientation where darkness marries the light he uses in perfect balance, this image is the result of dozens of trials to reach a perfect one, entangled cables, broken or smaked lights, repairing them in the cold to restart and re invent the visuals, it is a unique experience with Nature and technology, one that is adventurous and elevating providing the viewer with the same feel. Photographer: Leandro Sanchez Light painters: Megan Sanchez-Warner & Leandro Sanchez All rights reserved by Repertorium films NYC 2010-2012 "Visual interpretations" or "Visual perceptions" are what Leandro calls his unique artistic approach, his fine art photography has an obvious contemporary feel; he utilizes the staging of theatrical situations or magical moments - his work is aimed to reveal the landscapes or atmospheres where light is not visible by the unaide eye. These situations are constructed for hours and the image is achieved when a perfect balance of light and the surreal are captured in his ethereal night photography. These often-cinematic tableaux, with their surreal scenes, are made by long exposures at times with stroboscope light or photoflash, a combination of many elements played in a balance with movement or nature to give a final staged composition. Inspired by Daguerreotype long exposures, creating at times a modern vision and approach to very long exposure photography, Leandro visually penetrates unseen light in regular conditions. Leandro dissects movement of light and forms in his work, often resulting in unique striking visuals, again elements that the unaide eye cannot see... some of Leandro's works are inspired by Harold Edgerton's MIT studies 1926-31. Leandro's inspiration is to reveal to the viewer things they cannot see in real time, or to view theatrical compositions in nature that are impossible unless a single frame captures the multiplied bodies or light. Gjon Mili is as well among Leandro's inspirations where the combination of science and art find a contemporary unique world. One of Leandro's true inspirations and influences is his Pierre et Marie Curie University-graduate father (as a Chemical Engineer) for his science approach, and his mother's artistic views as a writer and Montessori teacher - both of his parents inspired the combination of art and science that is inherent in his photography. all rights reserved by studio Repertorium films NYC 2010-2012

Link: http://en.wikipedia.org/wiki/Photos

Most photographs are created using a camera, which uses a lens to focus the scene's visible wavelengths of light into a reproduction of what the human eye would see. The process of creating photographs is called photography. (Photo) "representation by means of lines" or "drawing", together meaning "drawing with light". The first permanent photograph was made in 1825 by a French inventor, Joseph Nicéphore Niépce, building on a discovery by Johann Heinrich Schultz (1724): that a silver and chalk mixture darkens under exposure to light. Niépce and Louis Daguerre refined this process. Daguerre discovered that exposing the silver first to iodine vapor, before exposure to light, and then to mercury fumes after the photograph was taken, could form a latent image; bathing the plate in a salt bath then fixes the image. These ideas led to the famous daguerreotype. The daguerreotype had its problems, notably the fragility of the resulting picture, and that it was a positive-only process and thus could not be re-printed. Inventors set about looking for improved processes that would be more practical. Several processes were introduced and used for a short time between Niépce's first image and the introduction of the collodion process in 1848. Collodion-based wet-glass plate negatives with prints made on albumen paper remained the preferred photographic method for some time, even after the introduction of the even more practical gelatin process in 1871. Adaptations of the gelatin process have remained the primary black-and-white photographic process to this day, differing primarily in the film material itself, originally glass and then a variety of flexible films. Color photography is almost as old as black-and-white, with early experiments dating to John Herschel's experiments with Anthotype from 1842, and Lippmann plate from 1891. Color photography became much more popular with the introduction of Autochrome Lumière in 1903, which was replaced by Kodachrome, Ilfochrome and similar processes. For many years these processes were used almost exclusively for transparencies (in slide projectors and similar devices), but color prints became popular with the introduction of the Chromogenic negative, which is the most-used system in the C-41 process. The needs of the movie industry have also introduced a host of special-purpose systems, perhaps the most well known being the now-rare Technicolor.