Busacca Gallery

The pictures were taken on a cloudy fall afternoon, on a day when you do not want to go for a walk, instead you choose to dive in the small details of creation. I poured water in a glassbowl. As I dropped blue ink in the water, it transformed in different shapes, it came to life as a dilating microcosm. Changing them black&white (grayscale) makes the effect as if it would not be some diffusing ink but some light smoke would fly in the air. The picture in the middle attracts glances, pull them in. We became one with the smoke/ink as same as a dream calls us to a journey. The collage shows the parallel presence and shiftability of the ink-worlds as they have effect to each other or even they detach themselves. At the same time the haiku name refers the shortness and fadingness of these worlds, on the other hand it recalls the soft shades and touches of the Eastern paintings. The pictures were taken with Canon EOS 1000D camera (exposure time 1/10) and with Picasa collage making programe.

Link: http://en.wikipedia.org/wiki/Haiku

Haiku (俳句 haikai verse?) listen (help·info), plural haiku, is a form of Japanese poetry, consisting of 17 moras (or on), in three phrases of 5, 7, and 5 moras respectively.[1] Although haiku are often stated to have 17 syllables,[2] this is inaccurate as syllables and moras are not the same. Haiku typically contain a kigo (seasonal reference), and a kireji (cutting word).[3] In Japanese, haiku are traditionally printed in a single vertical line and tend to take aspects of the natural world as their subject matter, while haiku in English often appear in three lines to parallel the three phrases of Japanese haiku and may deal with any subject matter.[4] Previously called hokku, haiku was given its current name by the Japanese writer Masaoka Shiki at the end of the 19th century.