Busacca Gallery

Hand carved African wooden animal mask. I am not sure what area it is from it is quite rustic. The condition is good for age and use. The wood has a lot of age to it in the way of patina and some cracking due to age. This mask has been used for several years and because of the character depicted, fairly rare. By purchasing a mask for your collection you will be linking yourself to thousands of years of the African experience through a unique, beautiful, mysterious decorative item.

Link: http://en.wikipedia.org/wiki/Mask

Masks: Somewhere deep in the collective consious of every culture lies a fascination with body alteration through the use of masks. Form highly carved wooden ceremonial masks from Africa to masks made of bronze used in Buddhist ceremonies , masks have tapped into the human imagination and have been an indispensible part of religious expression, the performing arts, and the battle field. In pre-Columbian latin america the use of masks dates back some 3,500 years. Priests summoned the Gods by donning masks and they were used in sacrificial rituals. The “shock and awe” effect of the masks was used with great success by these ancient priests. The introduction of the Spanish in the 1600’s saw the use of masks change in the hispanic culture. The Spanish used masks in the effort to spread Christianity, borrowing the powerful cultural icon for their use. The church used the masks in dramatic presentations of the stories of the bible and to intimidate the natives by portraying reenactments of battles. In the last century the use of masks in ceremonies waned. A new phenomena occurred -the creation of masks for sale rather than for ceremony. Artisans practiced their craft in wood and bone portraying the mystery and beauty of the Mexican culture in masks. These artists leave their mark and their experiences on their work. A 16th century diablo mask may be re-interpreted by modern artists to resemble Darth Vador thus incorporating modern cultural experiences in an ancient media. There are an enormous variety of masks used in Africa. In West Africa, masks are used in masquerades that form part of religious ceremonies enacted to communicate with spirits and ancestors. Examples are the masquerades of the Yoruba, Igbo and Edo cultures, including Egungun Masquerades and Northern Edo Masquerades. The masks are usually carved with an extraordinary skill and variety by artists who will usually have received their training as an apprentice to a master carver - frequently it is a tradition that has been passed down within a family through many generations. Such an artist holds a respected position in tribal society because of the work that he or she creates, embodying not only complex craft techniques but also spiritual/social and symbolic knowledge. Masks may also indicate a culture’s ideal of feminine beauty.