Title: Brazil Impression
Shipping: $29.00
Artist: N/A
Period: Unassigned
History: N/A
Origin: N/A
Condition: Excellent
Item Date: June 2007
Item ID: 1548
Oil on board Jian Wu graduated from the prestigious Art College of Qing Hua University (former Central Art and Crafts College of China) in 1984. During the period between his graduation and his emigration to the United States, Jian Wu was commissioned for works in five star hotels and his works were exhibited in Chinas National Art Exhibitions. In 1993, he went to study at the Graduate School of Academy of Art University in San Francisco, and joined the universitys faculty shortly. He received his Master of Fine Art degree in 2000. As a professional artist, Jian has had solo exhibitions and participated in group shows in the States. He has won awards in nationwide professional art exhibitions and competitions. His book Pastel Technique was published by China Youth Press in 2005. And a book of his oil painting collection, The Overseas Oil Painter of China Jian Wu , was published by China's renowned publisher, Tianjin Peoples Fine Arts Publishing House in 2007. Jian Wu's works have been collected throughout the United States and the world.
Link: http://en.wikipedia.org/wiki/Landscape_art
Landscape art and landscape painting
Landscape art depicts scenery such as mountains, valleys, trees, rivers, and forests. Sky is almost always included in the view, and weather usually is an element of the composition. Traditionally, landscape art depicts the surface of the earth, but there are other sorts of landscapes, such as moonscapes. The word landscape is from the Dutch, landschap meaning a sheaf, a patch of cultivated ground. The word entered the English vocabulary of the connoisseur in the late 17th century. The Chinese tradition of "pure" landscape, in which the minute human figure simply gives scale and invites the viewer to participate in the experience, was well established by the time the oldest surviving ink paintings were executed.
landscape painting was the "chief artistic creation of the nineteenth century", with the result that in the following period people were "apt to assume that the appreciation of natural beauty and the painting of landscape is a normal and enduring part of our spiritual activity.